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Showing posts from January, 2014

Flaminco? Flamingo? Flamenco!... Flamenkarnatic

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Flaminco? Flamingo? Flamenco! " Spanish Flaminco   Kalaripayattu Fusion" and " Spanish Flaminco   Carnatic Fusion", reads the grand  Kerala Sa ngeet Natak Akademi  announcement about an event that was scheduled to take place at the Co-bank Auditorium in Thiruvananthapuram, during the recently concluded   IFFK 2013 . Having heard of the Spanish   Flamenco ,  and with suitable expectations, we seated ourselves; among other 'expectant' audience. On stage was just the traditional lamp.  Item Number 1: The singer has a mike, but he stands close to the dancer and, cheek-to-cheek, he chants a few mantras. There are no props on stage, but the 5-ft traditional brass lamp that both artistes light together. The dancer’s costume is a simple 2 piece garment, and her style is a mix of Bharathanatyam and Kathakali.  Item Number 2: The dancer has changed into a flowing gown; a Spanish guitarist and drummer join them on stage. The singer croons Tulasi-daLa mula i

Some 'Bemusings' on Cameras and Photography

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Unobtrusiveness ought to be the first lesson in  photography etiquette  for amateurs and professionals alike, before they pick up their instrument, lest it becomes a weapon that has the potential to disturb others in unexpected, unpleasant ways.   I am proud to have photographer-friends who respect this etiquette. The concert was about to begin. A piano-cello ensemble. The announcer introduced the artistes, and requested the audience to turn off the mobiles or “keep them silent”. As he walked off-stage, a popular ring-tone went off, so back he came, and reiterated his request. This time he included an extra-cautionary note: “Please note that there are no extra amplifiers, so audience cooperation is truly needed to keep the acoustic experience pleasant.” Photo courtesy - goethe-zentrum.org The concert commenced. The cello player faced the audience, but with head always bowed down, eyes running over the music notes, even as his hand ran over the strings. The piano artiste sat

Downsides of Tourism, Progress and Development-2 - Holy and unholy truths

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Are our temples too benevolent and too sacred to be maintained physically clean? Why do pilgrims travel far and wide, in an effort to cleanse their souls while caring a hoot for the surroundings they visit? Be it Sabarimala, or Rameswaram, or any other holy abode of the Lord, pilgrims leave too many tell-tale (tell-truth actually) signs of their visit: used food packages, used clothes, used water bottles, and the worst habit of all: human expectorated spittle all over the place. Rama theertham (most holy, but nearly dead) There are well over 50 theerthams in the holy town of Rameswaram. 22 of them are located within the main temple and several more are scattered  over a few km distance in multiple directions. Most of the ones frequented by tourists show plenty of signs of poor maintenance and care, by both authorities and tourists. At the Rama Theertham, no fish survives in the pond, you can see a few live ones struggling in a bucketful of water for the purpose of being